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Writing Fantasy Heroes: Powerful Advice from the Pros (Rogue Blades Presents), by Ari Marmell Brandon Sanderson
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Product details
Series: Rogue Blades Presents
Paperback: 216 pages
Publisher: Rogue Blades Entertainment (February 23, 2013)
Language: English
ISBN-10: 0982053681
ISBN-13: 978-0982053683
Product Dimensions:
5.5 x 0.5 x 8.5 inches
Shipping Weight: 8 ounces (View shipping rates and policies)
Average Customer Review:
4.3 out of 5 stars
30 customer reviews
Amazon Best Sellers Rank:
#501,456 in Books (See Top 100 in Books)
If you're looking for a technical manual on the nuts and bolts of writing, things like basic story structure, you won't find it here. Well, not much, anyway. This book is designed more for the aspiring writer who is looking to hone his or her craft and take it to the next level, which preferably would involve publication, rather than the novice writer just learning to put a story together. The "secrets" to writing great fantasy, if you will.I read Writing Fantasy Heroes from cover to cover, albeit in pieces between other books, but I think the book's values rests in its use as a reference that one picks up and consults as needed more than as volume to read straight through. The reason I say that is that each chapter addresses a different aspect of heroic fantasy, and not all aspects will appear in all stories or novels.For example, Howard Andrew Jones discusses the dynamics between partners/friends/comrades and how to use the interaction between two heroes to best effect. Paul Kearney explains what it really takes to move a large army and to fight a major battle. not so much the combat itself (although he does address that issue), but the logistics involved in military life. Alex Bledsoe contrasts the older, wiser hero with the young pup and delves into how to write maturity in a way that's consistent with the reality of that stage in life..Ari Marmell talks about using tropes effectively and how to avoid cliche in doing so. Glen Cook deals with adding a dash of the unexpected. C. L. Werner discusses things from the monster's perspective. Brandon Sanderson blocks out several fight scenes, taking them from boring to engrossing. Ian C. Esslemont demonstrates the difference between showing and telling.There's much more. One of the added bonuses is that Jason Waltz required each contributor to use examples from his or her own work. I found several authors whose work I want to hunt down and read through this process, so thanks, Jason.I learned a lot from this book. More than that, some of the chapters helped me to bring together concepts or techniques I'd been more or less aware of and helped me either to see them in a new light or to see new connections or applications of them. It was the same kind of A-Ha moment I get when I gain new insight into a physical system after studying a scientific problem. One of those Oh-of-course!-Why-didn't-I-see-that? kind of thing.There's a lot of good advice here, and while I'm not the brightest bulb in the chandelier, I like to think I've acquired enough wisdom to realize that there things in this book I'm not ready for yet. What that means is that I haven't yet tried to write the story where I need that piece of counsel. But if/when I try to write that story, I know where to go to find out how it's done.The list of contributors is impressive, with some of the major names in the field weighing in on various aspects of the craft. The glimpse into their minds is fascinating at times. And invaluable.As I stated at the beginning of this review, this isn't an introductory writing manual. It's delves into the deeper, more accomplished aspects of the craft. If you write heroic fantasy, or aspire to, then this book needs to be on your shelf. It will be more valuable to you than any number of the writing guides out there.
Envision "Writing Fantasy Heroes" as a transcript of 14 enthusiastic panelists at a Convention as they tackle the topic "Fantasy Heroes." Would it be worth the price of a book (~$10) to get the transcript of this panel of authors (Orson Scott Card, Brian Sanderson, Steve Erikson, Glen Cook, Janet & Chris Morris, Ian Esslemont, Paul Kearney, Howard Andrew Jones...etc.) ? Heck, yes!This is Rogue Blade Entertainment's first nonfiction, extending its well-respected, thematic library of heroic fantasy (Rage of the Behemoth, Return of the Sword, Demons: A Clash of Steel Anthology). Fantasy genre readers will want to read this to learn how their favorite authors approach writing; aspiring authors will want to read this to better their craft.All key elements are tackled within, from the origins of heroes, their motivations, reader expectations, presentation strategies for fight scenes, handling armies, crafting monsters, and amplifying the "epic-ness" via side characters; there is even a chapter on how to balance tropes/clichés, and an entertaining reminder to keep the pressure on the heroes by drowning them in a sea of scat/stool/egestion. Only one contribution of the 14 was disappointing, it reading more of an advertisement rather than providing advice (>75% of that chapter's words was an excerpt). The majority were excellent, concise reads that deliver on what it promises: advice from the pro's.As the authors dissect their own writing in their case studies, you will find it easier to dissect your own writing. Is your hero too powerful to ever struggle? Are your fight scenes too abstract to engage the reader? Would your hero appear more like a legend if you described him/her via "distant" perspectives (from third party villagers)?Read this. Get inspired. Craft a better hero.
(Originally reviewed for Goodreads) **Spoilers**This is my first book from this local publisher: Rogue Blades Entertainment. I've got to say the writers really demonstrated the creation of heroes and their worlds. Even talking about how to mislead a reader through illusionary tropes and the quality of NPCs in a story. And Jason M. Waltz (and the late David Gemmell) really helped sum up a great definition of what makes a "hero" in the afterword too. I feel if I ever go on to creating a heroic fantasy I'll have a better idea of what to watch for, and to avoid in the story process. Just to point out a few wordy things (as my teacher was grammar-crazy and drilled it into my skull) so the next edition is even better. On pages 65-66 the name Lisette turns to Liselle (which is the right one?). And on page 178 I think in the last paragraph it has a run-on sentence with multiple negations in a clause (maybe then again it could be intentional). Otherwise it was very informative, and introduced me to new authors and their processes. I think I may check out more of this publisher's titles in the future.
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